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Roe v Wade, Bitter Plagiarism, Bloodsucker, Taylor Swift – The Hollywood Reporter


Olivia Rodrigo says she “didn’t actually listen” to criticisms of her calling out the Supreme Court docket on stage after it overturned the abortion rights ruling of Roe v. Wade final yr, including that “expressing your rage and dissatisfaction” is what music’s about.

The Bitter singer and former Excessive College Music: The Musical: The Collection star spoke concerning the second for a prolonged profile in The Guardian forward of the discharge of her newest album, Guts. Her temporary however impassioned speech befell forward of her showing onstage to sing “Fuck You” with Lily Allen in the course of the 2022 Glastonbury music competition.

Recalling the expertise, Rodrigo — who had memorized the speech, in keeping with Allen — stated she had already requested the British pop singer if they may duet the tune when, a day earlier than they have been set to go onstage, the choice got here down.

“We have been so devastated, crying as a result of it felt so surreal and so terrible,” Rodrigo recalled, including that Allen then texted, suggesting they need to dedicate the tune to the court docket’s 5 conservative justices. “She goes, ‘See the information? I suppose we all know who we’re gonna dedicate this tune to.’”

For the Driver’s License singer — who advised the justices in entrance of a packed crowd “we hate you” earlier than throwing up a center finger — “expressing your rage and dissatisfaction” about points that matter to you is what music’s about. “That’s really why it’s so vital – I’d love, if I used to be slightly woman, to see somebody arise for future-me like that,” she continued.

As for criticisms of the act, in addition to her public criticisms of former President Donald Trump and social media messages following the homicide of George Floyd, the singer-actress stated, she “didn’t actually take note of it or let it have an effect on me.”

What did have an effect on her, nevertheless, was the stress round her sophomore album Guts, which comes on the heels of her surprising breakout Bitter, resulting in some days the place she went into the studio and simply cried. “There have been a great few months the place I’d sit on the piano and all I’d take into consideration was how I used to be by no means going to make one thing pretty much as good, or all of the imply issues that folks on Twitter would say, or how I wasn’t pretty much as good as … no matter,” she defined.

Her anxiousness was so excessive, she wouldn’t change studios — after beginning periods at Daniel Nigro’s storage studio — over cash fears. “Including a brand new studio to the combo would have meant extra anxiousness and doubt. Like: ‘Oh my God, we’re spending 1000’s of {dollars}, and I really feel like I’m not writing something good,’” she stated. “It’s the antithesis of creativity.”

Rodrigo’s anxieties got here after a debut album that noticed her rocket to primary on the Billboard 200, setting quite a lot of gender-based and basic data alongside the way in which. However she had already confronted stress with Bitter, particularly accusations of plagiarism that noticed her give Taylor Swift and Paramore 50 p.c of the credit and royalties for her tracks “Deja Vu” and “Good 4 U.”

In a earlier response, Rodrigo expressed that it was “disappointing to see individuals take issues out of context and discredit any younger girl’s work.” Now, she says it was a studying expertise. “I used to be so inexperienced as to how the music business labored, the litigious aspect,” she stated. “I really feel like now I do know a lot extra concerning the business, and I simply really feel … higher geared up in that regard. It wasn’t one thing I thought of an excessive amount of.”

After the controversy, some followers believed Rodrigo and Swift — who appeared shut amid the previous’s Bitter rise — had a falling out, main them to take a position that Rodrigo’s new tune “Bloodsucker” was about Swift. The “Vampire” singer is “shocked” by that.

“I used to be very shocked when individuals thought that,” she stated. “I imply, I by no means wish to say who any of my songs are about. I’ve by no means carried out that earlier than in my profession and possibly received’t. I feel it’s higher to not pigeonhole a tune to being about this one factor.”


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