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Wednesday, February 28, 2024

30 Minutes On: “The Thomas Crown Affair” (1999) | MZS


Pierce Brosnan stars as Crown, a rich, mysterious artwork thief who steals Monet’s masterpiece “San Giorgio Maggiore at Nightfall” from the Metropolitan Museum of Artwork. Rene Russo is Catherine Banning, the insurance coverage investigator who is set to catch Crown in order that her firm received’t should pay the museum $100 million. Brosnan provides certainly one of his smartest, most insinuating performances as Crown, a grasp manipulator who has a knack for making everybody really feel as in the event that they is perhaps the one particular person he’s ever been sincere with. It is an altogether superior efficiency than any that Brosnan gave as James Bond—not any fault of his, however extra a mirrored image on the franchise itself, which by no means gave Brosnan the onerous, grownup, borderline-R rated studying that he gave the character. As his would-be foil and inevitable lover, Russo matches Brosnan’s ice-cube coolness. A part of the enjoyable of their interactions just isn’t figuring out when one is taking part in the opposite and, in that case, whether or not the try succeeded or the goal solely made them suppose it did. 

Working from a intelligent script by Kim Dixon and Kurt Wimmer, director John McTiernan (“Die Hard,” “The Hunt for Red October“) treats every scene as a showcase for fabulous faces, our bodies, garments, structure, autos, and landscapes. Steve McQueen and Faye Dunaway performed the leads within the 1968 model and the power was completely different. McQueen had a bitter American type of cool, Dunaway was far more overt in telegraphing the investigator’s nonprofessional curiosity in her quarry, and the title character was a financial institution robber moderately than an artwork thief. The second is only a higher film, and extra self-effacing in the way it tells it story and presents its motion and its characters. It is within the spirit of mid-century caper and spy flicks like “To Catch a Thief,” “The Hot Rock,” “Charade,” and “Arabesque.” Roger Ebert described the remake as “the type of refined caper that Cary Grant used to stroll by with out getting his go well with wrinkled,” and whereas he wasn’t keen on both model, I believe that sentence describes the touchdown that McTiernan, Brosnan, Russo and firm have managed to stay.

Dunaway has a supporting function within the remake as Crown’s psychiatrist, and though some critics questioned whether or not her character was needed or whether or not a personality like Crown would even hassle being in remedy, I believe it makes Crown extra plausible than he may’ve in any other case been. A person whose total life is a high-stakes recreation primarily based on deception and never letting anybody know the “actual” him would see remedy as leisure.



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